‘Undercover,’ ‘The 47’ Percentage Absolute best Image at Spain’s Goya Awards

In a ancient first, Marcel Barrera’s heroic bus motive force middle hotter “The 47” and Arantxa Echeverría terrorist org infiltrator mystery “Undercover” shared the most efficient image Spanish Academy Goya on Saturday night time at a rite the place Richard Gere lashed out at Donald Trump.

“We’re in an overly darkish position in The usa the place we’ve a bully and a thug who’s the president of the USA,” Gere mentioned, accepting this yr’s Global Goya.

In a wonder, Pedro Almodóvar received best-adapted screenplay and ideal cinematography (Eduard Grau), in spite of now not being nominated for ideal image. 

In “The Room Subsequent Door,” John Turturro’s persona warns Julianne Moore at a meal that there’s not anything that may boost up the tip of the planet greater than the survival of the extent of neoliberalism and the upward push of the extraordinary proper. And right here we’ve either one of them strolling aspect via aspect, in the future, and I worry it is going to be faster. That is taking place the drain,” Almodóvar mentioned in a message learn out on the rite via brother Agustin Amodóvar.  

Isaki Lacuesta and Pol Rodríguez received ideal director for “Saturn Go back,” an steadily laughably subversive crowd-pleasing bio of indie rock crew Los Planetas.   

Caroline Yuste, famous person of “Undercover,” scored ideal actress, bearing each “The Room Subsequent Door” stars Tilda Swinton and Julia Moore. 

“Emilia Pérez” took Absolute best Eu Movie however, as expected, the award was once permitted now not via Karla Sofia Gascón, who didn’t attend Saturday night time’s Spanish Academy Goya Awards, however slightly its Spanish vendors, Wanda Imaginative and prescient’s Miguel Morales and Elástica’s Enrique Costa, designated to just accept the award via the movie’s manufacturer, France’s Why No longer.
 
In different high-profile awards, Walter Salles’ ideal image Oscar contender “I’m Nonetheless Right here” received ideal Ibero-American image. 

As expected, Karla Sofia Gascón didn’t attend Saturday night time’s Spanish Academy Goya Awards. Emilia Pèrez’s manufacturer, France’s Why No longer, had communicated to the Spanish Academy that if “Emilia Perez” had been to win Absolute best Eu Movie, its Spanish vendors, Wanda Imaginative and prescient’s Miguel Morales and Elástica’s Enrique Costa, would settle for the award on degree in Granada.

Javier Bardem and Antonio Banderas gave famous person wattage to the rite, which was once famous in its run-up as a lot for its absences as attendees. Pedro Almodóvar and Penelope Cruz canceled unwell from ‘the flu. Almodóvar’s “The Room Subsequent Door” failed to attain a ideal image nomination.

In one of the most rite’s emotional excessive issues, daughter María Isasi delivered a homage to Almodóvar famous person Marisa Paredes (“The Flower of My Secret”), who died on Dec. 17. “She was once adored, liked and revered. She simply didn’t understand how a lot.”   

Spain‘s thirty ninth Goyas Awards in any case centered in this yr’s winners. In response to true occasions, “The 47” climaxes in how Manolo Important, a Barcelona bus motive force, persuaded government to open up a bus direction from town to Torre Baró, an outlying village, via a truth of revolt in 1978. 

A lot of the movie, alternatively, explores Important’s revel in as a Spanish immigrant who moved from southern Extremadura to Barcelona, escaping gross poverty. 

The movie, naturally sufficient, has touched a countrywide nerve: modern day Spain was once solid via Spaniards emigrating from villages to its giant towns. “The movie explores the immigrant revel in,” notes The Mediapro Studio’s Javier Méndez. “It asks whilst you start to expand a way of belonging.”

Produced via Bowfinger Global Photos and Beta Fiction, “Undercover” activates a real-life girl police officer who infiltrated Basque terrorist org ETA on the age of 20.

“We expect every now and then that younger spectators don’t need to know what came about previously. They’re unsuitable,” mentioned Mercedes Gamero at Beta Fiction.

“The 47” and “Undercover” might also level up an incipient sea alternate in what sort of Spanish motion pictures Spaniards need to see, proving two of 3 high quality business movies of social level made for grownup audiences – at the side of dysfunctional Catalan circle of relatives satire “A Space on Fireplace” – which all 3 scored ideal image nominations at this yr’s Goyas and feature scored notable breakout field place of job in Spain, “Undercover” grossing €8 million ($8.3 million) at Spanish cinemas.  

“The 47” and “Undercover” didn’t have all of it their means, alternatively. “The 47’s” famous person Eduard Fernández scored ideal actor, however for any other movie, false Holocaust sufferer imposter drama “Marco,” directed via Aitor Arregi and Jon Garaño.  

Eduard Sola nabbed ideal authentic screenplay for “A Space on Fireplace.”

In different awards, “The Flamenco Guitar of Yerai Cortés,” the function debut of Anton Álvarez, higher referred to as singer-composer C. Tangana, proved probably the most fashionable winners of the nights, scooping ideal document function and music, the touching love music “Los Almendros” sung on the finish of the movie.    

Javier Macipe walked off with ideal new director for “The Blue Big name,” a portrait of Spanish rocker Mauricio Aznar, whilst Pepe Llorente took ideal new actor.
     
Aitana Sánchez Gigon, famous person of “A Stroll within the Clouds,” the place she performed reverse Keanu Reeves, and Brad Anderson’s cult film “The Machinist” permitted an Honorary Goya making reference over again implicitly to Trump. “We shouldn’t be petrified of tradition however the brand new imperialisms,” she mentioned.  

BEST PICTURE

“Undercover,” (Arantxa Echevarría)

“A Space on Fireplace,” (Dani de l. a. Orden)

“The Blue Big name,” (Javier Macipe)

“Saturn Go back,” (Isaki Lacuesta, Pol Rodríguez)

“The 47,” (Marcel Barrena)

DIRECTOR

Arantxa Echevarría, “Undercover”

Pol Rodríguez, Isaki Lacuesta, “Saturn Go back”

Pedro Almodóvar, “The Room Subsequent Door”

Paula Ortiz, “The Crimson Virgin”

Aitor Arregi, Jon Garaño, “Marco, the Invented Reality”

ACTRESS

Carolina Yuste, “Undercover”

Emma Vilarasau, “A Space on Fireplace”

Julianne Moore, “The Room Subsequent Door”

Tilda Swinton, “The Room Subsequent Door”

Patricia López Arnaiz, “Glimmers”

ACTOR

Vito Sanz, “The Different Method Round”

Eduard Fernández, “Marco, the Invented Reality”

Alberto San Juan, “A Space on Fireplace”

Alfredo Castro, “They Will Be Mud”

Urko Olazabal, “I’m Nevenka”

NEW DIRECTOR

Pedro Martín Calero, “The Wailing”

Javier Macipe, “The Blue Big name”

Sandra Romero, “As Silence Passes Through”

Miguel Faus, “The Quiet Maid”

Paz Vega, “Rita”

SUPPORTING ACTRESS

Nausicaa Bonnín, “Undercover”

Clara Segura, “The 47”

Macarena García, “A Space on Fireplace”

Maria Rodríguez Soto, “A Space on Fireplace”

Aixa Villagrán, “The Crimson Virgin”

SUPPORTING ACTOR

Luis Tosar, “Undercover”

Salva Reina, “The 47”

Enric Auquer, “A Space on Fireplace”

Antonio de l. a. Torre, “Glimmers”

Óscar de l. a. Fuente, “L. a. casa”

NEW ACTRESS

Zoe Bonafonte, “The 47”

Laura Weissmahr, “Salve Maria”

Marina Guerola, “Glimmers”

Lucía Veiga, “I’m Nevenka”

Mariela Carabajal, “The Blue Big name”

NEW ACTOR

Cristalino, “Saturn Go back”

Cuti Carabajal, “The Blue Big name”

Pepe Lorente, “The Blue Big name”

Óscar Lasarte, “Might I Discuss with the Enemy?”

Daniel Ibañez, “Saturn Go back”

ORIGINAL SCREENPLAY

“A Space on Fireplace,” (Eduard Sola)

“Undercover,” (Arantxa Echevarría, Amèlia Mora)

“Marco, the Invented Reality,” (Jon Garaño, Aitor Arregi, Jorge Gil Munarriz, José María Goenaga)

“The Blue Big name,” (Javier Macipe)

“The 47,” (Marcel Barrena, Alberto Marini)

ADAPTED SCREENPLAY

“The Room Subsequent Door,” (Pedro Almodóvar)

“Salve Maria,” (Mar Coll, Valentina Viso)

“Glimmers,” (Pilar Palomero)

“I’m Nevenka,” (Icíar Bollaín, Isa Campo)

“L. a. casa,” (Álex Montoya, Joana M. Ortueta)

ANIMATED FEATURE

“Buffalo Youngsters,” (Pedro Solís García, Juan Jesus Garcia Galocha)

“Rock Backside,” (María Trénor)

“Black Butterflies,” (David Baute)

“SuperKlaus,” (Andrea Sebastiá, Steve Majaury)

“Dragonkeeper,” (Salvador Simó Busom, Li Jianping)

DOCUMENTARY

“My Brother Ali,” (Paula Palacios)

“Domingo Domingo,” (Laura García Andreu)

“Marisol, Llámame Pepa,” (Blanca Torres)

“You Are No longer On my own: Preventing the Wolf Pack,” (Almudena Carracedo, Robert Bahar=

“The Flamenco Guitar of Yerai Cortés,” (C. Tangana)

IBERO-AMERICAN FILM

“Kill the Jockey,” (Luis Ortega)

“Don’t You Let Me Move,” (Leticia Jorge, Ana Guevara)

“I’m Nonetheless Right here,” (Walter Salles)

“Recollections of a Burning Frame,” (Antonella Sudasassi Furniss)

“In Her Position,” (Maite Alberdi)

EUROPEAN FILM

“Float,” (Gints Zilbalodis)

“Emilia Pérez,” (Jacques Audiard)

“The Rely of Monte Cristo,” (Alexandre de L. a. Patellière, Matthieu Delaporte)

“The Zone of Hobby,” (Jonathan Glazer)

“L. a. chimera,” (Alice Rohrwacher)

CINEMATOGRAPHY

“Undercover,” (Javier Salmones)

“The Room Subsequent Door,” (Eduard Grau)

“Saturn Go back,” (Takuro Takeuchi)

“The 47,” (Isaac Vila)

“I’m Nevenka,” (Gris Jordana)

PRODUCTION DESIGN

“Undercover,” (Axier Pérez Serrano)

“A Space on Fireplace,” (Laia Gómez)

“The Crimson Virgin,” (Kati Martí Donoghue)

“Saturn Go back,” (Carlos Amoedo)

“The 47,” (Carlos Apolinario)

ART DIRECTION

“The Crimson Virgin,” (Javier Alvariño)

“The Room Subsequent Door,” (Inbal Weinberg)

“Saturn Go back,” (Pepe Domínguez del Olmo)

“The 47,” (Marta Bazaco)

“The Different Method Round,” (Miguel Ángel Rebollo)

SPECIAL EFFECTS

“Undercover,” (Jon Serrano, Mariano García Marty, Juliana Lasunción)

“Marco, the Invented Reality,” (Jon Serrano, David Heras, Mariano García Marty)

“The Crimson Virgin,” (Raúl Romanillos, Juanma Nogales)

“Dragonkeeper,” (Xin Li)

“The 47,” (Laura Canals, Iván López Hernández)

EDITING

“Undercover,” (Victoria Lammers)

“The Blue Big name,” (Javier Macipe, Nacho Blasco)

“Saturn Go back,” (Javi Frutos)

“The 47,” (Nacho Ruiz Capillas)

“Little Loves,” (Fernando Franco)

SOUND

“Undercover,” (Fabio Huete, Jorge Castillo Ballesteros, Miriam Lisón, Mayte Cabrera)

“The Crimson Virgin,” (Nacho Royo-Villanova, Álex F. Capilla, José Luis Fernández)

“The Blue Big name,” (Amanda Villavieja, Joaquín Rajadel, Víctor Puertas, Mayte Cabrera, Nicolas de Poulpiquet)

“The Room Subsequent Door,” (Sergio Bürmann, Marc Orts, Anna Harrington)

“Saturn Go back,” (Diana Sagrista, Eva Valiño, Alejandro Castillo, Antonin Dalmasso)

ORIGINAL SCORE

“Undercover,” (Fernando Velázquez)

“The Room Subsequent Door,” (Alberto Iglesias)

“Verano en diciembre,” (Sergio De L. a. Puente)

“Dragonkeeper,” (Arturo Cardelús)

“The 47,” (Arnau Bataller)

ORIGINAL SONG

“Love is the Worst,” Isaki Lacuesta, Alondra Bentley

“L. a. Virgen Roja,” Maria Arnal

“Los Almendros,” C. Tangana, Yerai Cortés, L. a. Tania

“Display Me,” Fernando Velázquez

“El Borde del Mundo,” Valeria Castro

COSTUME DESIGN

“The Crimson Virgin,” (Arantxa Ezquerro)

“The Room Subsequent Door,” (Bina Daigeler)

“Saturn Go back,” (Lourdes Fuentes)

“Disco, Ibiza, Locomía,” (Ester Palaudàries, Vinyet Escobar)

“The 47,” (Olga Rodal, Irantzu Campos)

MAKEUP AND HAIRSTYLING

“Undercover,” (Patricia Rodríguez, Tono Garzón)

“Marco, the Invented Reality,” (Karmele Soler, Nacho Díaz, Sergio Pérez Derbel)

“The Crimson Virgin,” (Elisabeth Adánez, Paco Rodríguez Frías)1

“The Room Subsequent Door,” (Morag Ross, Manolo García)

“The 47,” (Karol Tornaria)

SHORT FILM, FICTION

“The Masterpiece,” (Àlex Lora)

“El Trono,” (Lucía Jiménez)

“Cuarentena,” (Celia de Molina)

“Mamántula,” (Ion de Sosa)

“The Everlasting Night time,” (Eneko Sagardoy)

SHORT FILM, DOCUMENTARY

“Southern Brides,” (Elena López Riera)

“Seeds from Kivu,” (Néstor López, Carlos Valle)

“Els buits,” (Marina Freixa Roca, Isa Luengo, Sofia Esteve Santonja)

“Ciao Bambina,” (Carolina Yuste, Afioco)

“30s Are (NOT) the New 20s,” (Juan Vicente Castillejo)

SHORT FILM, ANIMATED

“Wan,” (Víctor Monigote)

“Cafunè,” (Carlos Fernández de Vigo, Lorena Ares)

“Illustrated Lady,” (Isabel Herguera)

“The Trade Of The Wheel,” (Bego Arostegui)

“Lola, Lolita, Lolaza,” (Mabel Lozano)

HONORARY GOYA

Aitana Sanchez Gijon

HONORARY INTERNATIONAL GOYA

Richard Gere