Josep Maria Pou stars a biopic that seeks exculpation

Manuel Huerga didn’t make motion pictures from Salvador (Puig Antich), movie launched in 2006, with which Parenchy Avoid wasting parallels that might not be solely involuntary.

On this biopic of which he used to be president of the Generalitat de Catalunya, He may also be noticed as a tortured in a Francoist police station, A historic indisputable fact that, then again, puts us within the strongly entrenched trust that “Catalan proper -wing politicians don’t seem to be the similar as Madrid rights politicians”, as anyone synthesized me on one instance. There’s the entirety.

Nobody doubts that Catalan politicians suffered Franco, or that they proceed to undergo by the hands in their hyperactive waste, comparable to Commissioner Villarejo, who has his momento within the movie (embodied by means of Antonio Dechent), However this is the reason the precise ceases to be the precise. The flags have historically been opium for the folks, and a super handkerchief to make any glimpse of cohesion politics disappear as in a prestidigitator trick. Independence has no longer been an exception.

Even though there’s a entire technology that understood it that manner, to had been a sufferer of Franco, to a better or lesser level, it can’t be understood as a clean take a look at; Having run in entrance of the grey is both to have the sky received. The movie written by means of Toni Soler turns out to domesticate the thesis that Jordi Pujol may patriotism: He used to be so glaring to paintings for the sake of his nation, that he delegated all the ones darkish companies associated with the financing of his concepts in his youngsters.

The only already deceased Marta Ferrusola, extra dangerous lady than “Aixó is a donut”, seems in flip as a mom obsessive about “the long run” of her youngsters, past every other attention, as though she had been there additionally to lighten her husband’s guilt.

Pujol used to be for many years synonym for steadiness for each Catalonia and Spain, With a pactist and dialogic coverage, in response to reasonable nationalism targeted at the development of autonomy, which is what maximum sought after.

The movie additionally takes care in Unlink the independence flip of CiU of the quite a lot of scandals that shook the sport, And he may idiot the theory, expressed by means of the youngsters, that ‘if everybody did it why we didn’t.’ The vintage ‘In the event that they opt for us is political’, which by no means is going out of fashion on each side of a trench raised by means of that conflict of countries that conforms each events.

Past sticking to the thesis of a pujol all in favour of saving the fatherland, surrounded by means of an entourage of irresponsible, The movie does no longer give a contribution a lot to what we already knew. I slightly introduce us to the attic of Common Miter the place the allegedly austere symbol of outdated cash and Jordi Pujol Jr’s hortaorriquism, materialized in a Ferrari parked at the sidewalk.

Cinemania

Between ingenuity and parody

Parenchy has the type of a Qualité telephilm this is wrapped in nostalgia Arsenal, This system with which Manuel Huerga revolutionized tv, and is way much less ironic than the name looked as if it would point out.

There are some creative visible answers, comparable to telephone calls, filmed in one aircraft; some lighting fixtures video games, a final metapseon, in addition to moments that appear without delay out of this system Poland, as when the fiery courting of Jordi Pujol Jr (Pere Arquillué) And his lover, Victoria Álvarez (Silvia Abril) Finally the mess of the listening of the Camarga. Alongside the similar traces, the illusion of Alberto San Juan Within the pores and skin of that monarch that we can all the time take into account with a device to depend wallets.

Even though the most important asset of Parenchy lies in trusting the principle roles to Two totems of the Catalan theater as Josep María Pou and Carme Sansa. However there additionally the variation in stature reminds us of the space between truth and fiction. Pou, then again, is a sensible selection, has integrated the charism that Pujol all the time prominent, fascinating its personal and strangers, even if The movie prefers to intensify the theory of ​​a President penitent, tormented by means of guilt, Sooner than venturing with the highbrow.

For lots of laps which might be given, It’s arduous to seek out Parenchy Some other motivation than to lighten Jordi Pujol’s guilt at the eve of his subsequent judgment. I am hoping you’ve gotten an even trial, since the film does no longer appear so.

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