Cenema

“I’ve needed to reside very dramatic issues however I generally tend to peer the sector from mild”

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We’re 3 within the interview to Carla Simón (Barcelona, ​​1986). The director, her child (who mama placidly in her lap) and me. In the future in our communicate Peel a plump hand seems via the zoom display or a main is heard that encourages the dialog.

Despite the fact that Serve the clicking in complete postpartum It isn’t the panacea, the picture of the director on the Cannes Pageant, pregnant and competing along with her remaining movie, Pilgrimage, For the golden palm, it has One thing conquest for ladiesso that you can get to the whole lot, of now not giving up the rest.

When requested for that, the filmmaker is wary. “Going to Cannes pregnant was once now not simple. It was once an excessively massive second of party and I felt beaten. I used to be measuring the forces at all times, power … additionally assists in keeping you with the priorities instead and also you reside the whole lot from distance. “

Agnès Varda stated that essentially the most tricky factor he had executed in his existence have been to reconcile. Be director and be a mom. Be capable to do the whole lot.

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It’s difficult, sure. I stay dating with Agnès' daughter, once in a while we write. And we now have as soon as mentioned this, his mom defended that the whole lot will also be executed. If truth be told, I believe there are lots of of his movies wherein he integrated his kids as it was once learn how to be with them and that existence, their motherhood and cinema have been hand in hand. I believe so much about her. In the whole lot he did. And in dwelling the cinema additionally throughout the circle of relatives.

I additionally attach that pleasure of being a girl that she defended along with her cinema.

Sure, there’s a large number of mild in his manner of seeing the sector, of portraying the characters. There may be at all times one thing to consider others, to admire folks, come from the place they arrive from, no matter they’re. For me, it’s an absolute reference, and in its time! He went to the counter so beastly … he needed to be superdificil.

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Pilgrimage It’s an workout to position in entrance what has been hidden. The protagonist, Marina, travels to Vigo to fulfill her father's circle of relatives. However there he discovers that his illness and his demise stay a taboo.

I consider that, in households, learn how to apply the sector of a few does now not need to inherit in others. I’ve lived the absence of my folks myself. The technology earlier than his lived the AIDS epidemic with disgrace and I, it isn’t that he has lived it with satisfaction, however with the understanding that it’s what defines me, what defines them, which belongs to a technology that was once completely the most important in our historical past as it put legs above all of the values ​​that we had as a society in a conservative dictatorship.

I at all times suppose that with out that technology we’d now not be the place we at the moment are. Hanging it in worth was once the theory of ​​the film and a bit of the engine. As a result of, once I idea if I sought after to make this film or now not, I grew to become again to inform a private tale however then I spotted that they discuss many of us.

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Every circle of relatives member has a distinct reminiscence of the protagonist's folks. Reminiscence is so elusive, there is not any unmarried reality concerning the previous.

After I did the promotion of Summer time 1993I discovered myself announcing that once you haven’t any reminiscences of one thing you can not generate them and you have got to suitable the tales of others. And that was once my frame of mind till I began investigating a bit of and I spotted that appropriating the others' tales was once now not a ensure of the rest. And that the reminiscence may be very selective and every one recollects below their prism.

Once we keep in mind, we don’t keep in mind the truth, we keep in mind the remaining time we keep in mind. This is remodeling reminiscences. And every one is absolutely the protagonist of his reminiscence. After all, I concluded that it isn’t true that you can not generate your individual reminiscences. I’ve the cinema to try this and to create the ones photographs that I’m lacking or that I’d have preferred to peer. So, the workout of the movie was once so that you can give existence to this circle of relatives archive or this circle of relatives reminiscence I didn’t have.

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What positions do those reminiscences created in you?

We communicate so much about the best way to movie that to search out the precise tone, as a result of there was once a threat of romantizing or idealizing this, which was once now not our will. Or vice versa, to turn it too laborious. After all we discover a tone that I believe is slightly honest, however at all times with the theory of ​​celebrating this love. There was once a need to movie the ones photographs, those actors, those puts, with pleasure.

After which there have been the fragments written via my mom, who don’t belong to her diary, are letters that she wrote however we adapt for the film. For me, the ones letters had a large number of worth, and, above all, they’d a poetic content material, their manner of talking, expressing themselves, to peer existence … I at all times idea that some photographs needed to be created that have been as much as those letters. For me it was once a problem so that you can put that Off with the ones photographs in combination and that the whole lot would block.

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Had been the ones imagined reminiscences already within the script?

The script was once reworked. There got here a time once I determined that the protagonist needed to consider that previous. On the structural degree it was once a perfect chance as a result of when it sort of feels that the movie is completing every other starts. It's virtually a film throughout the film. We’re speaking about this with María Zamora [su productora]. Then got here the concept that they have been the similar actors who embrace the protagonists who interpret the fogeys, one thing that still got here from this loss of photographs, of the impossibility of imagining my folks as they have been.

I acknowledge many problems with this film on your brief Letter to my mom for my son.

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The shorts serve to check out. And once they proposed this in need of Miu Miu I used to be going via this second of being pregnant and motherhood. In an impartial manner I arose to speak about that, however I additionally had the theory of Pilgrimage Within the head and it was once a time to check out issues. For instance, that stumble upon between Ángela Molina and I, who, in truth, was once to consider from the prevailing how my mom could be if I had now not died. It’s differently to consider that absence.

The casting and essay processes are essential on your cinema. How have been the ones of this film?

The casting was once very lengthy as a result of there have been many characters. It lasted 8 or 9 months. To search out the protagonist we noticed as much as 3,000 ladies. And in spite of everything of Llúcia Garcia we discover her in the street coming back from some camps. To search out the remainder of the forged my concept was once to peer skilled actors as a result of their gear might be very helpful, however we additionally open the casting to herbal actors. I at all times attempt to search for individuals who appear to be the nature or who’ve one thing that may comprise some essence of what we’re seeking to do. It is important to for me.

For instance, Myriam Gallego has some aunts which can be the similar as his persona within the film. José Ángel Egido made a primary casting with which he made us very transparent that he knew the nature smartly. Now not that he’s, however he is aware of him. After which we did the similar trial procedure as within the different movies. We spent a large number of time in combination, even if this time it was once extra complicated as a result of every one got here from a spot. We collected in an condominium in Vigo.

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I at all times love to recreate or improvise moments that can have came about earlier than the historical past of the movie to create a shared reminiscence amongst all of the characters. However in fact, right here we needed to do it in 2000 and likewise within the 80s. So within the morning, for instance, Llúcia and Mitch made the 80s couple, who didn’t arrive on time to circle of relatives meals, or who, unexpectedly, requested cash to I don't know who … after which, within the afternoon, they made cousins. ​

Is it what maximum benefit from the procedure of creating a film?

Sure, as a result of it’s the time when the movie materializes. All of sudden you’re seeing those folks that you’ve got imagined goodbye. In case you have selected smartly in casting, the whole lot you sought after to occur. There’s a feeling of taking part in to be God, of transferring the threads. And this can be a very loose second as a result of we go away the script outdoor, we improvise, I’m by myself with them, with an intimacy that within the filming incessantly I wouldn’t have the similar manner as a result of there are lots of folks.

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Has the revel in of Alcarràs To roll the ones coral scenes?

I loved that very a lot as a result of I confronted it from a web page a bit of more secure than once I rolled Alcarràs. However it’s true that, on the similar time, this can be a very other movie in the way it has been filmed. It isn’t a digital camera in hand and flowing between the actors as in that, since the sea gaze and the space she feels in opposition to this circle of relatives may now not be narrated the similar. We stay the digital camera in hand for the time of oldsters and communicate so much about the best way to roll the prevailing with out proscribing the liberty of the actors when improvising or having the ability to transfer with some freedom.

Why did you select Hélène Louvart as director of pictures and what she contributed to the movie?

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She was once going to do Alcarràs However it would now not be for the pandemic. I admired her very a lot for the whole lot she has executed, but additionally for her talent to paintings, which is improbable. I’ve felt beaten right through the method. There was once a technical phase on this movie that was once difficult, filming within the sea or the particular results, which is one thing that I had now not executed earlier than.

Used to be it tricky to roll at sea?

Issues came about to us since the sea is a spot that you need to adapt with its personal prerequisites. The sailboats take you the place the wind takes you. Every so often, too a long way, in opposition to an deal with that was once now not what we needed or the place the sunshine was once now not the best … something is to shoot on deck, the place we have been already with a minimal apparatus, and every other very other is to roll throughout the send. All processes decelerate and, as a result of my manner of running with the actors, I watched so much that the technical didn’t take the reins of the filming.

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Have you ever neglected capturing with kids?

I’ve neglected it however, on the similar time, the day of filming ended and was once now not exhausted. Rolling with kids places you an additional stress. There are lots of issues that you can not regulate, you need to take care of your tiredness … It additionally stuck me after two years of maternity and agreed with my boy who, right through filming, he took care of the child at evening and I unexpectedly slept 8 hours and felt he was once invincible.

You’ve got talked so much about the fact that kids transmit within the cinema. Are you in search of that reality in adults?

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This is my largest worry of now not running with kids. When everyone knows what we’re going to do, filming can develop into an execution that for me is demise. I do many pictures, so I take a look at to not be the similar and that there’s area for improvisation.

As we have been doing all the ones essays, the actors have been acutely aware of what we have been in search of. That every takes out a bit of other, to play, to not lose sight of the sport. And Llucía was once the primary time he acted. It was once natural transparency. It was once any person, like kids, that once he requested him for one thing that was once now not herbal, he confirmed. I believe that spirit maintained an excessive amount of.

I really like that your cinema has laborious realities however with a type, shiny glance.

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I consider that the films, if they’re truthful, appear to be us, or now not. And it’s true that I generally tend to peer the sector from mild. I’ve additionally needed to reside very dramatic issues and my circle of relatives and I’ve traveled them in that manner. So I believe that is there in my cinema a bit of accidentally, however there’s a will in my movies to deal with the characters.

For instance, for me it was once crucial to keep in mind that what occurs to the circle of relatives of Pilgrimage It’s the results of an excessively massive ache, which isn’t that they don’t want this woman however have now not controlled to control the lack of the daddy and her reminiscence has been buried. It was once crucial for me to grasp its complexity, as a result of I consider within the grays on this planet, that issues don’t seem to be white or black. Due to this fact, I love to regard the characters from admire and empathy.


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