Entertainment
The Killers’ Return to Las Vegas
A tense and anticipatory silence engulfed the Colosseum at Caesars Palace. It didn’t last long, but an entire universe of waiting seemed to unfold in mere seconds. Then a series of brightly familiar guitar notes twirled up from the stage and hung suspended in the arena like a set of Christmas lights. The lead singer of the Killers, Brandon Flowers, stepped into the light at the front of the stage, wearing a maroon suit and confidently smirking. The drums rushed in, and Flowers began singing, though—from my vantage point, in the middle of the sold-out venue—he was hardly singing at all. The roles had been reversed. The audience was the lead singer now and Flowers more of a conductor of their energy, absorbing the sounds of the band’s most famous song, “Mr. Brightside,” as it was belted by thousands of fans. When the chorus hit, Flowers put his leg up on a monitor and let his mike fall to his side. The floor shook with the force of people shouting joyfully along with the words.
The concert was taking place in the middle of the Killers’ two-week Las Vegas residency marking the twentieth anniversary of the band’s hit début album “Hot Fuss.” It arrived, in the summer of 2004, in the midst of a very specific early-two-thousands rock-music revival and positioned the Killers alongside bands such as Franz Ferdinand, the Bravery, and even the Strokes—all young groups who were fuelling what many considered a resurgence of the genre. For the Killers, this meant songs drenched in New Wave influence, with slick production and pulsating choruses. It is safe to say that there are few début singles as mammoth and well constructed as “Mr. Brightside,” with its infectious chorus, appealingly repetitive verses, and Flowers’s echoey vocals. The Killers have spent the past twenty years not living up to the track’s dominance so much as learning to embrace it. “Mr. Brightside” is ubiquitous in grocery stores and on TikTok. It has been hailed as the defining song of the millennial generation and as one of the greatest songs of the century. While shopping for a birthday card last month, I opened one that blared a version of the familiar tune. The show in Vegas was attended by a wide age range of fans—yes, the middle-aged folks who escaped to Vegas for a night out reliving decades past (i.e., me), but also people who were barely born when “Hot Fuss” came out.
The residency at Caesars Palace served as a homecoming, of sorts. The Killers are a Vegas band made up of Vegas guys; three of the four members were either born or grew up there. Their association with the city led to tender moments onstage, including Flowers reminiscing about his days working as a busboy in the very same casino and talking about how Vegas’s aura of inhibition can sometimes pay off in practical ways: the band first formed after Flowers responded to an ad that Dave Keuning, the group’s guitarist, placed in a local paper. There was a warmth and intimacy to the Killers’ residency that we don’t typically associate with a Big Rock and Roll Show.
On a Sunday night in August, a few days before the start of the residency, the band members were backstage in their dressing rooms at the Colosseum. When “Hot Fuss” was released, Flowers was in his early twenties, and looked the part of a young heartthrob rock star, with a boyish grin and a faint cloud of mischief often hovering above him. He was notorious for giving unfiltered interviews and for initiating verbal sparring matches with other bands. Now he is a married father of three, though still with an impressive swoop of brown hair atop his head. He talks in slow, thoughtful sentences, in a speaking voice that doesn’t entirely match the bombastic performativity of his singing.
Flowers was born in Vegas but moved, at the age of eight, to Utah. His father worked at a grocery store, his mother at a fast-food restaurant. In 1997, when he was sixteen, he persuaded his family to let him return to Vegas and live with his aunt. The working-class nature of Las Vegas, paired with the kind of work available in Vegas, means that local artists often work in the places that they might also dream of playing in. Flowers waited tables at Spago, the restaurant at Caesars Palace. He recalled, “I would take my tips, wherever I was working, to the Virgin Megastore. I still remember I bought the Strokes’ first EP, which was an import, and it just made me so jealous.”
While Flowers was working in the casinos, Keuning, a transplant from Iowa, was working in a closet, making a demo. “The neighbors had banged on the door a couple of times already, so I didn’t want to bother them,” Keuning told me backstage with a laugh, pushing long, curly hair out of his eyes. Keuning is the only member of the band who hadn’t spent a significant portion of his childhood in Vegas. He’d moved there after college, because it “seemed easier” than moving to L.A. What emerged from the closet was a bare-bones demo of “Mr. Brightside” devised through a kind of idle improvisation. “I had this cool-sounding note, I kind of stumbled onto it, and I needed to go somewhere with it. So then I just moved one finger down and then moved one finger down to this note,” he told me, gesturing with his fingers. “And that was the first three notes of it.” He placed an ad in the paper looking for bandmates, having found little success in the organic search for like-minded music-makers at shows and clubs around town. Flowers, who had never been in a band before, wrote the song’s lyrics. Flowers said, “ ‘Brightside’ having no second-verse change is simply because I didn’t have one. It’s great that it works, but I was not spoiled with other ideas at that point.”
Flowers and Keuning found a local drummer and bassist to fill out their band and played small venues, where they caught the attention of their future group members Mark Stoermer and Ronnie Vannucci. Stoermer, who was at the time bouncing around as a guitarist for a series of Vegas bands, eventually joined on bass. “There were a lot of bands, but there was nothing like what Dave and Brandon were doing,” he recalled. “I could tell they had something, the two of them.” Vannucci, another area musician with deep Vegas roots (his mother, he told me, worked at Caesars Palace when he was growing up), allegedly went up to the group at another show and told them, “You guys would be great if you had a better drummer.” He recalled, of the band’s sound, “I was, like, Man, what is that? It sounds like Suicide or early Cure or something like that. And I was just, like, Nobody’s doing this.”
The sense that nobody was doing this actually haunted the Killers in Vegas a bit, once the four core members began writing and performing songs. The sonic stylings that were popular in Vegas at that point were metal, rap-rock, some pop-punk. The Killers, with their large neon choruses and New Wave-revival aesthetics, were on the outside looking in at their home city’s music scene. Though they loved Vegas, Flowers told me that from early on they were “looking beyond it.” The band practiced in Vannucci’s garage and snuck into the band room at the University of Nevada, Las Vegas, to record songs. They played frequently at Sasha’s, a club that catered to the city’s trans community, and put demo tracks on a Web site dedicated to unsigned Vegas bands. Braden Merrick, an A. & R. rep for Warner Bros., heard their stuff and flew them to Berkeley, California, to record new demos to send out to labels. Many labels passed, but eventually the band caught the attention of a U.K.-based outfit called Lizard King, and then Island Records in the U.S.
The Killers recorded “Hot Fuss” in the course of a year, between 2003 and 2004, during which time Flowers heard the Strokes album “Is This It” and scrapped everything that had been recorded up to that point—except “Mr. Brightside.” The band members were all working retail or casino jobs during the making of the record. Vannucci recalls sitting on a curb in front of his house with Stoermer, who was working as a courier at Quest Diagnostics, and telling him, “You want to do music, right? You don’t want to be a runner for a lab company. Fucking do music, because this is happening. We’re going to do it.” The album was released on June 7, 2004, and was slow to reach the mainstream. The band toured the world before rooms of ten people, and then twenty people, and then fifty, and then hundreds, and then thousands. They grew a grassroots audience simply by never leaving the road. Stoermer told me that, from 2003 to 2005, the band was touring around three hundred days a year.
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Chantal Andere unearths to us the main points of his persona in ‘Velvet, the brand new empire’
&w=1200&resize=1200,0&ssl=1 "Chantal Andere unearths to us the main points of his persona in ‘Velvet, the brand new empire’")
Chantal Andere is greater than excited with the premiere of Velvet, the brand new empirethe difference of Telemundo From this authentic tale of Ramón Camposwhich used to be broadcast a decade in the past in Spain. With a present plot positioned in New York and a skilled forged additionally made up of Yon González, Samantha Siqueiros, Carolina Miranda, Danilo Carrera and Humberto Zurita; The sequence that may premiere on Might 19 guarantees to develop into the brand new favourite.
© Kita / TelemundoIn an interview with HELLO! AmericasChantal Andere tells us the main points of Mrs. Blanca Moraleshis persona, and the right way to give existence to this lady stuffed with nuances is a smart problem in her occupation, as a result of it’s not the villain of historical past. As well as, he unearths how he decreed to take part on this adaptation, since he’s very fan of the unique sequence and lately that dream will come true.
© Alexander Tamargo / Telemundo
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&w=1200&resize=1200,0&ssl=1 "Juanes launches ‘One night time with you’, the primary unmarried from his new album")
Proprietor of a a hit profession that has deserved a large number of Grammy and Latin Grammy awards, Juanes It’s an simple reference of Latin track. His songs have turn out to be hymns of affection that remaining through the years. After razing with Day-to-day existence ExcursionExcursion that took him thru dozens of towns world wide between 2023 and 2024, the Colombian singer has introduced the improvement of his new and anticipated album: the one One night time with youa vintage love serenade with influences of various genres and cultures.
© Getty pictures for IMDBWhilst along with your album Day-to-day existence (2023), Juanes gained the popularity of complaint for his precious introspective paintings, with One night time with you The singer immerses himself in a brand new ingenious cycle wherein he presentations the evolution of his sounds whilst reaffirming thru his letters to like as the principle axis of his compositions.
© Mario AlzateThe singer published that at the back of this unmarried, which he performed are living for the primary time within the emblematic Nationwide Auditorium of Mexico Town on April 5, has the musical influences of some of the biggest Soul and R&B singers on this planet, in addition to probably the most mythical rock bands and an entire technology of iconic Mexican balladists.
© Getty Pictures“In 1962, Otis Redding introduced a track referred to as Those hands of mine. I wasn’t even born, however Sebastián Krys He put the recording and impressed me instantly. Then got here a composition consultation with Edgar Barrera and the version of letters with Julio Reyestill we in any case input the find out about to supply it with Nico Cotton“Juanes mentioned concerning the inspiration at the back of her new subject matter.” The result’s One night time with youan absolutely new sound for me, which seems like a really perfect stability. It’s one thing contemporary for my track, but it surely inspires the ones antique and romantic vibes that I really like such a lot, one thing that I’ve at all times present in José José, Juan Gabriel and The Beatles, and that has impressed me deeply”, The singer shared.
The interesting paintings within the ‘one night time with you’ video clip
Juanes no longer best labored with the manufacturer Nico Cotton for One night time with youbut additionally joined Stillz To create the interesting video that accompanies the endearing lyrics of your track. The phenomenal photographer and director of Colombiastado, winner of Cannes Lion, has labored with artists comparable to Rosalia and Unhealthy Bunny.
© Stillz“I relied on 100% in Stillz’s imaginative and prescient and standards, and naturally in Apple’s era. I had observed different video clips or even some quick movies created with the iPhone, and inspired me. I believe it is without doubt one of the benefits of present era, and I’m thrilled with the end result, ”mentioned Juanes about your paintings with the director and the assets they resorted to reach that memorable dream panorama wherein the video of the video is advanced One night time with you.
© Mario AlzateAfter all, the singer put a large number of himself within the advent of the video clip, or even took the characters in him to design and create the quilt of the one. “One thing cool of this challenge is that I’m additionally operating at the graphic section,” mentioned the singer -songwriter on his Instagram, detailing that he has taken benefit of the lengthy flight hours to try this activity. As of April 24, the album may also be heard in Spatial Audio era thru Apple Track.
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Elyfer Torres tells us about ‘It’s not that i am Mendoza’, his new collection with Vadhir Derbez
&w=1200&resize=1200,0&ssl=1 "Elyfer Torres tells us about ‘It’s not that i am Mendoza’, his new collection with Vadhir Derbez")
With simply 27 years, Elyfer Torres It already has a a hit tv profession, wherein romantic comedy sticks out Betty in NY (Telemundo). And the tasks don’t finish for this proficient Mexican actress, because it lately premiered I am not Mendozaa a laugh Netflix collection wherein he labored along with his excellent good friend Vadhir Derbez. In an interview for HELLO! Americas, The younger interpreter advised us in regards to the demanding situations and finding out left via this manufacturing, in addition to her courting along with her liked spouse.
© Pictures: Eduardo RamosI feel that to create a personality, the very first thing to do isn’t pass judgement on it, as a result of when you pass judgement on anyone you’re developing, you already misplaced the entire race.
This collection was once recorded in Colombia and premiered on April 16, follows within the footsteps of Julián García (Vadhir), a debt collector whose lifestyles is a flip when he’s abducted and compelled to suppose the identification of Esteban Mendozaa millionaire with a dismal previous, and likewise marry a compelled wedding ceremony, regardless of having a courting past the farce.
© NetflixElyfer performs Cindy, Julian’s spouse, a girl with a character that barely is going left out. “Cindy is an overly intense girl, she is a girl who lives large. I feel she is a girl who does now not suppose, however does now not imply she is dumb, does now not take into accounts the sense that she acts, “Elyfer stocks.” In historical past, she is sort of like a villain, however she does now not come from a spot of evil, she is clinging to one thing this is now not for her and goes to do the entirety in her palms to be and get what she desires, “he provides.
© Pictures: Eduardo RamosThe actress shared that, to a point, she felt recognized with Cindy confessed that, with this, as with different characters, she removed any form of judgment so that you could interpret it. “¿How will I be capable of empathize with anyone who am I judging? So, for me it’s to grasp the place Cindy’s movements come from, as a result of as human beings, the entirety comes from a spot, not anything is loose, ”he mirrored.
Cindy does not take into accounts it. Cindy does what his middle feels. It performs dangerous previous that occasionally. However having the ability to are living in the sort of large and loose personality gave me a superb present.
Elyfer stated that on this challenge he reaffirmed the cast friendship of years he has with Vadhir, with whom he additionally joins a specific humorousness. This closeness and complicity was once mirrored within the collection or even ended in that each may just improvise in some scenes that they recorded in combination, additionally making the most of the inventive freedom given via the director. “He’s naturally very a laugh and since we also are making comedy, we each allow us to pass and unexpectedly the director was once like: ‘Reduce, listen, some other scene of his improvisations was once made.”
© Instagram @elyfertorres“My worth isn’t in my profession … If I don’t have any challenge, not anything occurs, It’s not that i am from my profession. However that doesn’t imply that I lose like to act. I will be able to proceed appearing, even though it’s in theater, so it’s on my own in my space, even though in a gathering with buddies …”
© Instagram @elyfertorres
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