Mario Casas demonstrates on the Malaga Pageant how smartly the creator’s cinema feels

Now and again it’s important to pass a long way to satisfy oneself. Keeping apart ourselves from those that save you us from being what we yearn for, we wish, we all know that we’re and don’t dare to acknowledge. That concept is so central to this prima opera that the following April 11 after passing during the Malaga Pageant, that, if truth be told, its name is none instead of Molt Lluny, “Very a long way” in Catalan.

A ways is the place Sergio ends, a Espanyol fan who takes good thing about a travel to a recreation in Utrecht to stick there and get started a brand new existence. Long gone is his house in Catalonia, his oldsters, that brother who intuits higher than someone the explanations for that self -examination, despite the fact that Sergio insists within the ravages of the 2008 disaster.

Molt Lluny It’s the chronicle of that keep within the Netherlands, that of its seek and self -knowledge, that of its interior adventure of essentially the most violent or even homophobic masculinity to reconciliation with a sexuality till then repressed. However additionally it is the portrait of a racist host nation, which appears over the shoulder of foreigners, one thing hardly proven in Spanish cinema.

This can be a tale too explicit, filled with main points equivalent to the ones Catalan poems on the Cervantes Institute, equivalent to the ones stolen or misplaced bicycles in a sea of ​​similar bicycles, in addition to to not be autobiographical. And, as its director has instructed us Gerard WHO Within the interview printed in the most recent factor of Cinema, That is exactly an intimate and private rely of the travel he undertook himself after the 2008 disaster to search for himself.

Molt Lluny It sticks out for its naturalistic staging, for its {photograph} in blue, chilly, off, as are the times in northern Europe, for its use of diegetic song, thru all that ground spouse that ceaselessly touches the cello.

However, undoubtedly, the principle process this prima opera are the interpretations, how may just it’s differently being its director a smartly -known trainer of actors who has labored with Ana Wagener, Barbara Lennie, Marta Nieto or your personal Mario Casas, His pal, who was once the one that inspired him to take his tale to the display.

WHO will get from Mario Casas His perfect interpretation so far, essentially the most herbal, essentially the most intimate, coated by means of the framework of an creator cinema that the actor had now not frequented so far. In a similar fashion, the interpretations of Raúl Prieto (We nonetheless have no idea this actor who would indisputably wish to see extra) and David Verdaguer, that neither with its inherent sympathy manages to make that Catalan ceaselessly overwhelmed and sullen to the one that provides existence.

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