‘Emilia Perez’ Wins 2025 Golden Globes for Very best Image – Musical, Comedy

Jacques Audiard’s Emilia Pérez is a variety of the whole lot. It’s a musical, a comedy, and a drama a few transgender cartel chief. It’s a melting pot of performances from Selena Gomez, Zoe Saldaña, and Karla Sofía Gascón. It additionally become the 2025 Golden Globes winner for Very best Image, Musical or Comedy on Sunday night time.

Audiard — who previous authorized the movie’s award for Very best Non-English Language movie — took the degree sooner than ushering protagonist Gascón to the microphone. Gascón, a trans actress, shared a touching speech about identification and illustration.

“I selected those colours this night, the Buddhist colours, as a result of I’ve a message for you: The sunshine at all times wins over darkness,” Gascón stated onstage. “You’ll perhaps put us in prison. You’ll beat us up, however you by no means can remove our soul, our life, our identification.”

“And I wish to say to you, elevate your voice [for] freedom,” she added. “I’m who I’m, now not who you need. Thanks such a lot.”

Emilia Pérez was once nominated towards Sean Baker’s Anora, Luca Guadagnino’s Challengers, Jesse Eisenberg’s A Actual Ache, Coralie Fargeat’s The Substance, and Jon M. Chu’s Depraved. The movie earned 9 further nominations, together with Very best Screenplay and Very best Director for Audiard.

Previous within the night time, Saldaña gained the award for Very best Efficiency through a Feminine Actor in a Supporting Function, Movement Image, and for her tune “El Mal,” written through Clément Ducol and Camille.

The Netflix movie was once already probably the most nominated musical or comedy movie within the award rite’s historical past with 10 nods. The movie was once up for Very best Authentic Ranking for Clément Ducol and Camille, whilst Gascón was once nominated for Very best Efficiency through a Feminine Actor in a Movement Image – Musical or Comedy.

“The primary function be offering I were given was once about one thing very difficult associated with transness. And what I stated? ‘I’ll do it,’” Gascón informed Rolling Stone remaining yr, including: “Some issues are so stunning that you’ll be able to’t say no.”

In a assessment of the movie, Rolling Stone’s David Worry wrote: “We adore Audiard’s paintings to demise, and Emilia Pérez proves that he refuses to play the rest secure; the equivalent quantity of tongue-in-cheek gestures and sincerely delicate exchanges makes this one of the crucial larger swings in his profession.”