Georgian drama movie “April” took double honors on Saturday at the once a year Asia Pacific Display screen Awards, successful the most productive movie prize and the most productive efficiency prize for Ia Sukhitashvili.
Directed via Dea Kulumbegashvili, the movie portrays the decision of an obstetrics and gynaecology supplier within the face of accusations in regards to the loss of life of a new child kid. The movie premiered on the Venice and Toronto gala’s in September, incomes a unique jury prize in Venice and the most productive movie prize within the Zabaltegi-Tabakalera pageant.
Sukhitashvili was once provide on the APSA rite in Gold Coast, Queensland, Australia, to simply accept each awards.
Fellow Georgian filmmaker, Tato Kotetishvili was once awarded the APSA for absolute best director for his debut characteristic, darkish comedy “Holy Electrical energy,” which sees cousins promoting neon crucifixes door to door in Tbilisi.
Girls’s tales and flicks from India had been additionally primary topics some of the awards winners.
Payal Kapadia’s “All We Consider as Gentle,” which made a sensational debut in Cannes in Would possibly, was once Saturday awarded the Jury Grand Prize on the APSAs. The prize, decided on on the discretion of the jury, was once awarded to this tale of 2 working-class nurses in Mumbai.
The APSA prize for Best possible Early life Movie additionally went to a feminine director from India, Lakshmipriya Devi, for “Boong.” Produced via Alan McAlex, Vikesh Bhutani, Ritesh Sidhwani, Farhan Akhtar and Shujaat Saudagar, the movie is a heartwarming tale of a tender boy from far off Manipur who is going on an journey to reunite his circle of relatives.
The APSA for Best possible Animated Movie was once gained via “The Lacking” (aka “Iti Mapukpukaw”), an extraordinary animation movie within the grownup sci-fi style from The Philippines. “No Different Land” (Palestine, Norway), directed as a bunch via Palestinian and Israeli filmmakers Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham, and giving their viewpoint at the violence and destruction surrounding them, was once named the documentary absolute best movie winner.
Veteran New Zealand actor Cliff Curtis (“Boy,” “The Meg,” “Whale Rider,” “Colombiana”) was once named recipient of the FIAPF Award for his dedication to generating indigenous tales. On the Gold Coast match Curtis spoke in regards to the Maori working out of folks present between Mom Earth and Father Sky stated the various cultures accrued for APSA. (APSA adopts a UNESCO definition of Asia that stretches from Palestine to New Zealand.)
3 prior to now introduced winners had been all in attendance on the rite to simply accept their awards: Neo Sora won APSA’s Younger Cinema Award in partnership with NETPAC for “Happyend”; Nepali director Min Bahadur Bham approved the Cultural Variety Award for “Shambhala”; Georgia’s Information Chachua approved his APSA for absolute best new performer for “Panopticon,” a movie which additionally stars Sukhitashvili.
The APSA primary jury was once this yr headed via Thai director Pen-ek Ratanaruang, along “Loopy Wealthy Asians” celebrity Chris Pang (Australia), Papua New Guinea and New Zealand manufacturer Kerry Warkia, Korean filmmaker, educator and policymaker Park Kiyong and Kazakh manufacturer Yuliya Kim.
The APSA Early life, Animation, Documentary Global Jury was once led via Sabrina Baracetti of the Udine A long way East Movie Competition, joined via Japan and U.S.-based manufacturer Alex C Lo, Indonesian program director Gugi Gumilang and Australian actress Jillian Nguyen.
The rite additionally incorporated the announcement of the 4 recipients of the $25,000 MPA APSA Academy Movie Fund grants, supported via the Movement Image Affiliation. They incorporated lately in post-production Chinese language characteristic “Fuxi: Pleasure in 4 Chapters,” and “Watch It Burn,” via “Autobiography” director Makbul Mubarak.
seventeenth Asia Pacific Display screen Awards – WINNERS
Best possible Movie
“April,” Dir. Dea Kulumbegashvili (Georgia, Italy, France)
Jury Grand Prize
“All We Consider as Gentle,” Dir. Payal Kapadia (France, India, Netherlands, Luxembourg)
Best possible Early life Movie
“Boong” Dir. Lakshmipriya Devi (India)
Best possible Animated Movie
“The Lacking” (aka “Iti Mapukpukaw”) Dir. Carl Joseph Papa (Philippines)
Best possible Documentary Movie
“No Different Land” Dirs. Basel Adra, Rachel Szor, Hamdan Ballal, Yuval Abraham (Palestine, Norway)
Best possible Director
Tato Kotetishvili for “Holy Electrical energy” (Georgia, Netherlands)
Best possible Screenplay
Selman Nacar for “Hesitation Wound” (aka “Tereddüt Çizgisi”) (Türkiye, Spain, Romania, France)
Best possible Cinematography
Michaël Capron for “Mongrel” (Taiwan, Singapore, France)
Best possible Efficiency
Ia Sukhitashvili for “April” (Georgia, Italy, France)
Best possible New Performer
Information Chachua for “Panopticon” (Georgia, France, Italy, Romania)
Cultural Variety Award
“Shambhala” Dir. Min Bahadur Bham (Nepal, France, Norway, Hong Kong, Türkiye, Taiwan, U.S., Qatar)
Younger Cinema Award in partnership with NETPAC
Neo Sora for “Happyend” (Japan, U.S.)
FIAPF Award
Cliff Curtis (New Zealand)
2024 MPA APSA Movie Fund Recipients (4)
“Out of doors Kabul,” animated documentary, prod. Estelle Fialon (France)
“Watch it Burn,” fiction characteristic, prod. Yulia Evina Bhara (Indonesia) and prod., dir. Makbul Mubarak.
“Fuxi: Pleasure in 4 Chapters,” fiction characteristic, cinematographer. Robbin Yuchao Feng (China), dir. Qiu Jiongjiong.
“A Go back and forth to Australia,” fiction characteristic, prod. Aiko Masubuchi (Japan, U.S.), prod., scr., dir. Neo Sora.
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